folk art (paintings, 2022 - 2026)
“I use water-soluble oil paint on reclaimed wood to paint folk narratives as an allegory for the immigrant experience in America: a self-taught process of adapting watered-down, makeshift, off-cut, threadbare, second-hand materials into something that still attempts to hold merit, beauty, and value on equal footing as an American-made commodity within the Western canon of material culture.”
How Will We Carry On? 육이오 전쟁 (2025, ink and oil on 35" x 17.5" wood panel)
Wheel of Joy 피보나치 삼태극 / Fibonacci Samtaegeuk (detail, 2025 / ink and oil on 40" diameter wood panel)
Gyopo Gwisin Gut 교포귀신굿 (2026) / ink and oil on 33" x 33" wood panel
Gyopo Has a Smoke Before Painting Folk (2023) / ink and oil on 26.5" x 26" framed wood panel
Kalaviṅka Gongmyeongjo / कलविङ्क 공명조 (2024) / ink and oil on 24" x 24" wood panel
How Will We Carry On? 육이오 전쟁 (2025) / ink and oil on 35" x 17.5" wood panel
Our Elders Enshrine the Ancestors as Jangseung and Dol Hareubang (2023) / ink and oil on 29.5" x 12.5" wood panel
Yankee Doljanchi 양키 돌잔치 (2025) ink and oil on 22.5" x 26" wood panel
They Killed Queen Min and Hacked Off Our Hair (2023) / ink and oil on 17" x 19" wood panel
Chun Pongjun the Mung Bean General 전봉준 녹두장군 (2025) / ink and oil on 25" x 36" wood panel
Ajumma 24-7 (2024) / ink and oil on 18" x 26" wood panel
Mrs. Cho’s Chaekgeori (2022) / ink and oil on 25" x 12" framed wood panel
Hua Sheng Dun Crossing the Color Line (They Comin’ to ‘Murica) / 华盛顿横渡红线 (他們來到美國) (2023) / ink and oil on 32.5" x 11" framed wood panel
A Mudang Must Rest 무당 신병 (2025) / ink and oil on 30" x 22" wood panel
Street of the Tang People 唐人街 (2022) / ink and oil on 21" x 15" framed wood panel
Ballad of the War Bride / 전쟁신부가 (2024) / ink and oil on 18" x 33.5" wood panel
Merikano Manunggul (2026)
Three Yellow Tokens (2024)
Song of the Haenyeo (Ieodosana / 이어도사나 / “Is he in Ieodo?”) (2022)